Book Art Studio Handbook: Techniques and Methods for Binding Books, Creating Albums, Making Boxes and Enclosures, and More (Studio Handbook Series). The Book Art Studio Handbook: Techniques and Methods for Binding Books, Creating Albums, Making Boxes and Enclosures, and More (Studio Handbook). Book Art Studio Handbook by Stacie Dolin, , available at Book Depository with free delivery worldwide.
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How to Make Books, Albums, Slipcases, and More There's nothing like making your own sketchbook, or wrapping a favorite book in the perfect homemade. The variety of projects presented, striking photographs, and easy-to-follow step- by-step instructions make the Book Art Studio Handbook a real. As the "book" morphs and evolves into a malleable, digital file, interest in the classic form is reignited in book lovers and crafters. Book Art.
Keeping these tools in stock and organized is the first step toward creating professional-quality books. A bib-front apron will ensure that your cloth- ing does not get dirty. And an apron pocket is useful There are a variety of bone folders for tucking away frequently used tools so that they do availablefind the one thats right not get lost on your workbench. Teflon folders are also available, and they are more flexible than the aforementioned types.
Bone folders are used for many purposes, such as scoring a fold, making a crease, or folding paper over a board edge. Your bone folder will become almost an extension of your hand. Align the edge of the folder to your sandpaper and drag it toward you in a smooth motion, as shown here. Do not modify a Teflon folder with sandpaper.
Those can be carved to a desired shape instead. Keep a variety of glue and paste brushes on hand so that you always have the size and type you need. Use the largest brush possible in comparison to the size of the item youre gluing; that way the glue will not have dried by the time you have covered the sur- face of the item with adhesive.
Use a synthetic brush for synthetic adhesives and a natural brush for natural adhesives. Keep the brushes very clean or they will not last very long.
Brush soap is available at art stores; it nour- ishes the bristles. However, any mild soap will work. Keep the brushes in use in a jar or glass with water just up to the top of the bristles.
To prevent spills and drips from getting on your work, put the water jar in a cake tin or on a tray. Just slide a piece of. Let the item sit under a weight with the fence in it until it is dry.
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Book Art Studio Handbook
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For me bookbinding is art with rules. The parts of a book are relational to each other to make a cohesive whole. It is a medium through which I can express myself. I like the problem-solving aspect of bookbinding. I like thinking about how the book will work and support itself. I also think the book is a little more personal - it's generally viewed by one person at a time.
So there is a sense of sharing a secret as each person looks at it! I enjoy the precision in bookbinding as well. Who are some of your favorite book artists and why? I admire many people in the book arts.
I admire the design binders who make one-of-a kind fine leather bindings with a design that relates to the subject of the book.
I also admire those who create new and interesting book structures. Wow, this one is tough.
I find I'm drawn to a variety of different styles. I really like books that demonstrate the artist's handskills while exploring unconventional methods. What key piece of advice do you give those who are just starting out in the art of making books?
Just try it!Westminster John Knox Press, The variety of projects presented, striking photographs, and easy-to-follow step-by-step instructions make the Book Art Studio Handbook a real treasure for anyone interested in crafting functional, highly aesthetic bound books at home.
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